Category Archives: PSAS

The PSAS revisited

More than a year ago I devoted some blog posts to the history of Spector fandom, specifically focusing on the UK based Phil Spector Appreciation Society (PSAS) that was active during the second half of the 70s. I was even able to follow-up with an interview with Paul Dunford who formed the PSAS in 1975.

If you’d like to read the lengthy blog post about the PSAS, go here:

https://cuecastanets.wordpress.com/2014/11/19/the-phil-spector-appreciation-society/

For my interview with the founder of the PSAS, click here:

https://cuecastanets.wordpress.com/2015/01/11/interview-paul-dunford/

In terms of the 70s, it’s fascinating to look back on this phase of Spector’s career and the lust for news, ANY news, felt by the admirers of his sound in Europe and the US. The previous decade had been Spector’s golden era with a steady flow of fantastic productions coming out of Gold Star studios. But come the 70s, the output dwindled – and even though Spector was still very much in demand, working with John Lennon and George Harrison as his most high-profile ventures, news about future plans and projects became infrequent.

With less coverage in the music papers and newsletters, Spector fans were more in the dark about upcoming projects than they’d ever been. There definitely was a void to be filled for those who still worshipped at the altar of echo and bombast despite the ever changing trends of popular music.

Insecurity behind the swagger? Phil Spector with the Kessel Brothers during the 70s.
Phil Spector with the Kessel Brothers during the 70s.

As a music fan in my mid-30s, one who’s practically grown up with the advent of the Internet and online music resources, it’s interesting to consider how difficult it must have been for Spector fans in the 60s and the 70s to stay updated. With no internet to consult, discovering new releases or gathering more info on your favorite Spector recordings depended on chance encounters in record stores or at record fairs, the odd news article or review in music papers or, if you even knew about this option, a membership of PSAS.

Luckily, quite a few Spector fans, mainly based in Europa and the US, got to know about PSAS and were thus served with a steady flow of news and background information via the DIY newsletters PSAS mailed out to its members. In the blog post I linked to above, you can read the whole story about the mid-to late 70s PSAS and how its newsletters eventually evolved into a fully-fledged and lovingly compiled fanzine with the clever title ‘Philately.’

Issue 1, 4 and 6 of Philately. The design got more professional with each issue.
Issue 1, 4 and 6 of Philately. The design got more professional with each issue.

However, what’s interesting is the fact that PSAS in fact got its name from an even earlier association started in 1969 by two young British Spector fans and friends, Phil Chapman and Steve Percival. When Paul Dunford started up his fan club in 1975, hot on the heels of the publicity garnered from the first Rare Masters compilation of previously unreleased 60s Spector productions, he simply reused the name.

Lately, I’ve corresponded with Phil Chapman of the first PSAS and I hope to be able to feature an interview with him about this fan club and other Spector-related topics shortly. But besides this, Phil has also been kind enough to send me a package with all six newsletters that the first PSAS eventually issued as well as some related material.

Here's Phil and Steve's original description of their vision for the PSAS sent out to the likeminded fans who responded to their music paper ad.
Here’s Phil and Steve’s original description of their vision for the PSAS sent out to the likeminded fans who responded to their music paper ad.

I’m very grateful that Phil would share all this with me as it means that I now seemingly have a complete set of the Spector fan club newsletters / fanzines issued through time – ranging from the very first newsletter by the first PSAS in ’69, all the newsletters by the ‘second’ PSAS throughout the 70s and finally all copies of the more professional fanzine ‘Philately’ that picked up the mantle in the 80s. This later fanzine was helmed by Spector expert Mick Patrick whose compilation work for UK reissue label Ace Records is essential listening for anyone following this blog.

Why, it's an original Membership Card for the PSAS, just waiting to be filled out with my name! Sadly, I've joined the party almost 50 years too late.
Why, it’s an original Membership Card for the PSAS, just waiting to be filled out with my name! Sadly, I’ve joined the party almost 50 years too late.

So to get to the bottom of things, this lengthy blog post is basically just to present to you the stuff Phil has kindly shared with me – I’m sure you’ll find it as interesting as I have, so no need not to share the info with likeminded fans.

So, how did it all come about, then? Well, during the 60s Phil had discovered Spector’s music and wrote back and forth with other fans he had befriended through pen pal-type ads in the local music papers. Having done so for a while – and finding that they basically just exchanged the same tid bits of info about all things Spector – he realized it might be easier to just set up an actual fan club. Contact was made with Spector’s office and lo and behold – official recognition enabled Phil to place the following ad in British music papers.

Phil1

Soon, enough fans had expressed interest for Phil and his partner-in-crime Steve Percival to launch a fan club newsletter for the first PSAS, aided by promotional photos and similar material provided by Spector’s US office. During this time Phil and Steve were still in school which makes their pursuit of setting up a fanclub and establishing contact with Spector’s office even more impressive. Naturally though, their young age and lack of experience of course meant that the newsletters has a certain naivity and amatuerness to them but you can certainly sense the earnest love for Spector’s music throughout.

The first newsletter was sent out in May 1969 just as Spector was emerging again as a music force to be reckoned with by way of ‘You Came, You Saw, You Concquered’ by the Ronettes and ‘Love is All I Have to Give’ by the Checkmates Ltd, – both on A&M.

By # 6 in May/June 1970 the PSAS, in its first incarnation, had run its course due to other obligations in Phil and Steve’s lives. Taken as a whole, the newsletters that were issued are very similar to the newsletters the second PSAS put out in the mid-70s. We’re talking Xeroxed pages with occasional newspaper clippings or photos thrown in.

Newsletters 1-6 issued by the first PSAS.
Newsletters 1-6 issued by the first PSAS.

In general, Phil and Steve reviewed the latest singles or albums such as the Checkmates debut LP for other fans. They also discussed soundalike records and listed discographies that could aid Spector / Wall of Sound collectors. Reading through the newsletters, I was glad to learn about the driving ‘Boys Cry’ by UK singer Eden Kane. Great track! And one that had somehow escaped me.

Later on, Phil Chapman would become a music producer himself who often used his expert knowledge to achieve a convincing Wall of Sound on his own productions. You can almost sense his future endeavors by reading some of his reviews for the PSAS newsletters. Often, he points out very specific details about the production values that reveal how intently he listened for things buried deep in the muddy mono mixes.

What’s interesting is the fact that tiny bits of info scattered throughout the newsletters, and undoubtedly coming from Spector’s camp to the PSAS, would indicate that ‘You Came, You Saw, You Conquered’ and ‘I Can Hear Music’ were intended for a follow-up Ronettes album. This of course never came to fruition but one wonders how much may have been recorded? Unless, of course, Spector planned to just dust off old tracks like ‘Here I Sit’ and ‘Paradise’ and issue those with the A&M single?

Among the stuff Phil has sent me is also a Phil Spector Productions / A&M Records promotional folder from this time, complete with sets of press releases detailing Spector’s resumé and short bios of the Ronettes and Checkmates Ltd. A&M clearly hyped their deal with Spector and had high hopes for the project. It’s a shame there wasn’t a bigger output.

A&M promotional folder, closed.
A&M promotional folder, closed.
And voila! A&M promo folder opened and containing promo photos, artist bios and handouts for the new Spector productions.
And voila! A&M promo folder opened and containing promo photos, artist bios and handouts for the new Spector productions.

So there you have it – the final piece in my puzzle to research the history of Spector fandom. And let me thank Phil Chapman for kindly supplying me with his insights and the spare newsletters and other material he’s kept since 1969. I hope to feature an interview with Phil in the near future. Stay tuned!

Here's a photocopy of a personal message from Spector sent to Phil during the PSAS days. Very cool!
Here’s a photocopy of a personal message from Spector sent to Phil during the PSAS days. Very cool!

 

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The Phil Spector Appreciation Society

If you’ve read the ’about’ section on here you know I started my blog because of a lack of an online reference point with different angles and news on the Wall of Sound. So I decided to create such a site myself. I assume there are others like me out there and if you come across this blog, I’d love to hear from you. You can comment on the posts or contact me via my blog profile. No matter what, I hope you’ll check in from time to time and read the future posts.

Obviously, the internet has completely changed the game of how not only fans of Phil Spector’s music but music fans in general come together and stay up to date about releases, rarities, concerts etc. Online forums, specialist music websites, blogs, mailing lists and Facebook pages all provide fans with direct access to news and discussion with likeminded folks like never before.

Then imagine the ‘wilderness’ years before the internet. The dark ages where fans had to rely on chance encounters with other fans at record stores or record fairs, pen pal-type ads in music magazines or, if you were really lucky, privately pressed fanzines provided of course that your favorite music had a strong enough following to merit such a labour-of-love. Luckily for Spector fans, they’ve had several fanzines to consult through the years.

I’m too young to have been a part of the fan community back then so what I know about these fanzines I’ve learned second-hand, mainly because, the geek that I am, I’ve hunted down some of the few remaining copies or have kindly received photocopied ones from other collectors.

I find these fanzines very fascinating. They are great for researching the cultural history of Spector fandom as each issue somewhat represents a time capsule of the interests, mentality, hopes and dreams of the fan community at the time of publication. You can sense that much care and love has been put into them and as fanzines go, they’re pervaded by a sense of comforting, tight-knit camaraderie.

Members of the Phil Spector Appreciation Society (PSAS) sent in their personal top 10 in 1976. Here are the results.
Members of the Phil Spector Appreciation Society (PSAS) sent in their personal top 10 in 1976. “Here are the results of the Spectorian jury.”

The people behind these fanzines knew that they weren’t writing for masses but providing valuable information for a few diehard fans who cared and where willing to subscribe even when, in the case of Phil Spector, news were at best very infrequent and unsubstantial. In all honesty, once Spector seemingly closed the door on his producer career with his involvement in the Ramones album ‘End of the Century’ in 1980, there wasn’t much to report.

In the lack of any real news the fanzines were often then padded out with discographies, artists bios, discussions on soundalike records etc. In other words, all the info we take for granted today with Discogs, Wikipedia or Allmusic. But back then Spector fans had to get such info piece by piece as if they were slowly and collectively solving a major puzzle as the years went on.

The PSAS predict a bright future for Spector at the end of 1976.
The PSAS predict a bright future for Spector at the end of 1976.

So, what’s the basic timeline of the fanzines? Not much info can be found online which is strange actually. You’d think that some of the passionate people behind these fanzines would have picked up from where they left off once they got online? The legendary Spectropop message board probably took its fair share of former subscribers and that forum has had a few posts about the fanzines but nothing really informative.

My research shows the following timeline:

Phil Spector Appreciation Society Newsletters – 1968-1969/1970

According to an interview with British Spector historian, collector and producer Phil Chapman in 1984 (Philately # 4) this newsletter was started by him around 1968. As a young Spector fan he had gotten into contact with numerous other fans using the pen pal sections of music magazines. Instead of continuing writing each other back and forth with the same news he decided to start a society that eventually grew to about 100 or so active members. Only six newsletters were issued during the course of a year so the final one must have come out in 1969 or 1970. [Phil Chapman’s six newsletters were for sale as reprints in 1984 as advertised in Philately along with the interview. If anyone out there has these and would be willing to send me photocopies I’d be very grateful. I’ve yet to read them.]

Image of the six 60s PSAS newsletters as shown in Philately # 4.
Image of the six 60s PSAS newsletters as shown in Philately 4.

Phil Spector Appreciation Society Newsletters – ca. 1975-1983

The name Phil Chapman used for ‘his’ fanclub was dusted off by a new group of people throughout the 70s. Like Chapman’s club, this society was also based in the UK but it also had subscribers in the US. I have photocopies of all newsletters from November 1976 until Christmas 1981. Some I’ve bought off Ebay, others I have kindly been able to borrow for copying from a fellow fan.

I don’t know exactly when this new version of the PSAS started but according to the last newsletter I have, the one from the end of 1981, it had been active for nearly 7 years. This would suggest a start sometime in 1975. That seems very likely since this was the year Phil Spector issued a batch of new compilations of his old hits on a newly formed label, ‘Phil Spector International.’ I imagine the flurry of activity got fans together again. The founding member was Paul R. Dunford but for most issues dynamic duo Mick Patrick and Carole Gardiner was in charge. The newsletters are very informative but very simple in their layout. Basically, they are nothing more than typewritten pages in the a5 format with the occasional image. The newsletters came out roughly 4 times a year. [I lack PSAS newsletters from 1982 and onwards until Philately took over. If you have some that you’d like to copy for me, please get in touch.]

PSAS newsletters from the 70s.
PSAS newsletters from the 70s.

The 70s edition of the PSAS even held a convention in september 1976 at Alton, Hampshire in the UK. According to the subsequent newsletter “a disco played Spector records all night.” The surprise of the evening was a telexed message from Phil Spector who expressed his gratitude to his fans. I have color photocopies of photos taken that evening and show four here. Look at those wall displays! I guess they had quite a few Phil Spector International sleeves to spare, huh? The DJ can even be seen putting on a record. Considering the time, I’m guessing it’s Jerri Bo Keno’s ‘Here It Comes (And Here I Go)’!

PSAS members part at their convention, September 1976.
PSAS members party at their convention, September 1976.

Philately – seven issues, 1983-ca. 1989/1990

Mick Patrick and Carole Gardiner, as well as other contributors, expanded the simple newsletter into a very stylish-looking fanzine from 1983 onwards. Under the tongue-in-cheek title Philately, fans worldwide were kept updated with the same kind of info as had been the norm in the old PSAS newsletters. Philately though, had a much more professional style. More varied fonts, better reproduction of images and interviews with various people close to Spector such as Jerry Riopelle, Ronnie Spector, Nino Tempo and others.

The Philately fanzine was clearly the pinnacle of Spector fandom and make for great reading. I don’t know why it had run its course by the 7th issue but I have Mick Patrick’s word for it being the last issue when I asked him about it online. Mick would of course go on to work on all sorts of interesting projects for Ace Records, i.e. the fantastic three Phil’s Spectre compilations of Spector soundalikes, many of which had been raved about in the ‘Erect-a-Spector’ columns in the old PSAS newsletters or Philately. Whereas the PSAS newsletters had been a mixture of Spector stuff and more general info on 60s girl groups, Philately was mainly Spector stuff with girl group articles reserved for a sister publication by the PSAS called ‘That will never happen again.’ [The only issue of Philately I don’t have is # 5. A photocopy would be kindly welcomed.]

Issue 1, 4 and 6 of Philately. The design got more professional with each issue.
Issue 1, 4 and 6 of Philately. The design got more professional with each issue.

And thus concludes my ‘dissertation’ on the obscure and overlooked, but wonderful world of Spector fandom & fanzines.