I came across Rolling Stone magazine’s lenghthy interview with Spector from 1969 today. The full piece can be accessed online here:
I’ve known about it for years, and have seen it quoted extensively in the various Spector books that have come out,…. but for some reason, I’ve never read the full piece. Maybe the same goes for you? If so, go ahead and get a sense of the rambling, jive-talking and score-settling Phil Spector of 1969… There are quite a few topics covered that hasn’t been quoted in the Spector books.
I do wish he had talked more about his own productions. Though it’s interesting to see him reflect on the changing times of the late 60s music business and his own tentative approach towards it after the self-imposed exile after the failure of the ‘River Deep, Mountain High’ single. Interestingly, Spector himself explains its failure with the view that the industry wanted to see his downfall. So maybe this interview is where that often repeated explanation originates from?
And speaking of legendary interviews I would be a fool to not also post the link to Crawdaddy magazine’s equally legendary interview with none other than Jack ‘Specs’ Nitzsche, master arranger and producer extraordinaire and of course Spector’s right hand man in Gold Star studios during much of the recording of the Philles catalog.
Crawdaddy’s interview came out in 1974 and makes for very interesting reading. What a career with all sorts of interesting twists and turns! Someone out there really ought to write a book about Nitzsche, preferably working together with his family who I believe have an interesting collection of photos, diaries and logbooks with recording dates.
A few years ago it looked as if someone was looking into making a documentary on Nitzsche but it seems as if nothing has come of it,… yet. Fingers crossed – in the mean time we can all dust off our copies of the three fabulous Nitzsche compilations put out by the UK’s Ace Records.
Nitzsche’s talent is basically the gift that keeps on giving,… to prove my point I’ll conclude with a conducting & arranging credit of his that I discovered online last night. Dig this stomping Fab Four soundalike courtesy of the Palace Guard: