I’ve just been made aware of an exciting new project about the legendary Gold Star studios, aptly titled ’33 1/3: House of Dreams.’
We’ve had various staged variations of the classic 60s pop sound so dear to myself and readers of this blog, among others ‘Leader of the Pack’, ‘Jersey Boys’ and ‘Motown: the Musical’, so it makes sense to focus on the fascinating story of David Gold and Stan Ross and their importance to the LA music scene by way of Gold Star.
This looks like a real labour of love and with support from those who recorded there to boot. Check out the kickstarter page of 33 1/3 to learn more about this new project which is seeking backing as of writing.
When investigating the Wall of Sound, at least the original source as heard on all those iconic Spector productions, you can’t underestimate the importance of legendary LA studio Gold Star.
It was Spector’s favorite haunt and the place he returned to time and again to commit his ‘little symphonies for the kids’ to tape. With the aid of a veritable legion of incredibly talented session musicians, later dubbed the Wrecking Crew, Gold Star almost became Spector’s laboratory, his marathon sessions devoted to concoct the formula for perfect, supersonic impact – a sound so strong, so overpowering that it would charge through speakers everywhere, grab listeners by the shoulders and envelop them with otherworldly splendor.
Much has been written about Gold Star, it’s famed echo chambers and its brilliant engineers, Stan Ross and Larry Levine. We have first-hand insights in the form of interviews with or accounts from people like Ross, Levine and various Wrecking Crew members; there are interesting photos shot at Gold Star sessions that show us how the studio and the various instrumental set-ups looked; and of course, there are actual tapes from Spector sessions floating around giving fans a fascinating opportunity to be a ‘fly on the Wall of Sound.’ (See what I did there?, he he)
Sadly, there’s a lack of moving images from Gold Star and the iconic session work taking place there during the 60s. We do however have this precious, but short AMC news reel filmed during a Sonny & Cher session in 1966:
This segment makes for fascinating viewing. You get a sense of how crammed the studio really was during sessions. And although Sonny & Cher and some of the session men are obviously goofing around for the camera, you can sense the professionalism in the whole set-up.
Sonny Bono was of course no stranger to either Gold Star or the Wall of Sound, having previously served as a gofer, percussionist and sometime back-up singer on numerous Spector sessions. When he found success with his girlfriend Cher, he did so by making the most of his first-hand knowledge of Spector’s recording methods. More about that in a later installment of ‘Would-be Spectors’ for this blog.
Enjoy the clip if you haven’t seen it already and then do yourself a favor and head over to the Classic Studio Sessions blog. The blog seems to be dead now, but from 2010 up until last year it featured some interesting research carried out by Josh Hoisington and Craig Clemens.
In their very first blog post back in 2010, Craig took his point of departure in this short clip and wrote a very detailed walk-through, pinpointing the recording set-up, some of the gear used and, perhaps most interestingly, identifying most of the session players. It’s a beautifully written and very insightful piece – perhaps a bit on the technical side for some but if you have any interest in the 1960s LA studio scene, it is a very worthwhile read.